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    <loc>https://www.lens57.com/blog/cracking</loc>
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    <lastmod>2026-02-28</lastmod>
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      <image:title>Blog - Cracking - A weather beaten lone tree. Leica Q3 150 sec f/16 ISO 100</image:title>
      <image:caption>Photography is often an excuse for just being outside, exploring and finding new places. Sometimes a nice photograph is a bonus to the main event of gently wandering around the countryside. I find the geology of Skye to be extremely interesting. People travel from far away to study the rock formations that vary hugely across the island. There’s a really good study here if you would like to know more. I spent a bit of time at university studying geology, with many of the lectures being as impenetrable as the rocks that were their subject matter. It was the field trips that I enjoyed most. Looking closely at how the land has been formed and how the shapes we see now reflect the massive forces that folded and fractured the earth’s crust. While I don’t remember much about what I learned back then, I do go out of my way to try and find out more about the stuff I’m standing on. This in turn enables me to be more efficient in my search for interesting photography spots. In particular, the elusive lone-tree-on-a-rocky-pavement composition that I enjoy finding and photographing so much. Here, then, we have an interesting feature, and I hope I’ve got this right. On the left side is fissured, fractured and eroded dolostone pavement. Dolostone is a limestone that has been altered by magnesium-rich groundwater, making it a bit harder than limestone and a darker grey colour. There is a band of the stuff in Skye through the Strath &amp; Torrin area and it makes for an excellent place to explore with a camera.</image:caption>
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  <url>
    <loc>https://www.lens57.com/blog/a-different-composition</loc>
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    <lastmod>2026-02-19</lastmod>
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      <image:title>Blog - A Different Composition - Torrin Trees: Sony A7iii 100-400 at 145mm, 1/200th f/5 ISO 100</image:title>
      <image:caption>This group of trees on the road to Torrin are very nicely placed on a small rise, with the majestic mountains of the outlying Cuillin behind. I decided another visit was in order as overnight snow had dusted the peaks making them look even more imposing. It is a fairly well known location. You can't really miss it as you drive to Elgol. It is a little tricky to compose well, and I usually shoot it from a lot closer with a zoom lens at about 100mm to exclude the road and the "Passing Place" sign. There is a lot of small positional adjustment needed to get the trees framed nicely by the mountains and not breaking the ridgeline. I spent a bit longer than usual there today exploring different angles and focal lengths. During a recent 1-1 workshop as part of my Kinloch Lodge photography retreats, a client shot this with the road in the frame, albeit from a completely different angle to this. Hmmmm I thought. I'll need to give that a go. So this time I walked a fair way back along the road, got down low and had another go. Including the sign is a little "unconventional" but I'm somewhat of a veteran of photographing Passing Place signs and they are such a key part of Skye's environment that it feels right in this case. In my usual way, I captured a number of angles, unable to decide on location which would be best. Having a selection of images to choose when editing is always wise in my opinion.</image:caption>
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      <image:title>Blog - A Different Composition - Make it stand out</image:title>
      <image:caption>A more “usual” shot of these trees. A simpler composition.</image:caption>
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    <loc>https://www.lens57.com/blog/revisiting-a-gate</loc>
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    <priority>0.5</priority>
    <lastmod>2026-02-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/612dac7c-722a-414e-8b39-77982959f8cc/Glen+Brittle-003.jpg</image:loc>
      <image:title>Blog - Revisiting A Gate - Make it stand out</image:title>
      <image:caption>The new version. Leica Q3 1/60th f/10 ISO 100</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/240520ff-7a9a-46bc-b3bc-6d76cc0f1d6a/Glen+Brittle-004.jpg</image:loc>
      <image:title>Blog - Revisiting A Gate - The original shot from 2024. Leica Q3, 0.5 sec, f/16 ISO 50</image:title>
      <image:caption>During my visit back in the winter of 2024, the mountains were nicely snowcapped, which I think adds a really ominous aspect to them as well as enhancing their scale. They must be really big to have snow on top. I spent a very pleasant while examining different compositional opportunities combining the grasses and mountains, but they lacked an “anchor” to bridge the foreground and background. And there’s an annoying fence all the way along as well. Interspersed here and there along the fence are some little gates. These let people from the campsite just beyond the fence get easy access down to the beach. I figured I could use one of these gates as my anchor, thereby giving some context to the picture and providing a human element (“if I open that gate, where could it lead…”). Much micro-positioning then ensued as I tried to find a decent way of bringing together the three components of grasses, gate and mountains. Eventually I found something of a wiggly line leading through the grasses, up to the gate, then to a valley up to the mountains on the horizon. Whoop. However, the sky wasn’t really playing ball. It lacked drama and was a bit dull. But the other elements were good so I called it “done”.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/09297d56-e20e-42ef-a5d2-f36864ba97d0/Glen+Brittle-002.jpg</image:loc>
      <image:title>Blog - Revisiting A Gate - The new version - portrait orientation. Leica Q3 1/80th f/10 ISO 100</image:title>
      <image:caption>I had already decided to position the gate closer in the frame to make it larger. Using a fairly wide angle of 28mm, this also makes the mountains look bigger in relation to the gate. Small-ish changes like this, minor adjustments in position, can make a lot of difference to the final result. As another example, I didn’t want the left-hand gatepost to break the ridge line of the mountains behind. That would break the continuity of that line and be a bit jarring. I also wanted enough of a lead-in line in the shape of the grasses to take the eye up the image, to the gate, and then beyond. More small adjustments needed to keep all these elements in the “right” places in relation to each other. I had decided to abandon my tripod and just hand-hold the camera due to the need for speed in the rapidly changing weather conditions. The little Leica Q3 has very good image stabilisation and I was happy at 1/60th of a second. I decided a bit of movement in the grasses would be nice to emphasise the wind blowing at my face. Being picky, the gate is a little “tight” on the left hand side but had I turned the camera more to the left I’d have lost some of the mountains, and had I physically moved myself to the left I’d have lost the dark path that leads into the shot. I do love working through tradeoffs like this as I puzzle through the interaction of all the elements.</image:caption>
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      <image:title>Blog - Revisiting A Gate - Make it stand out</image:title>
      <image:caption>This time at f/1.7. Leica Q3 1/4000th f/1.7 ISO 100</image:caption>
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    <loc>https://www.lens57.com/blog/no-set-agenda</loc>
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    <lastmod>2026-02-09</lastmod>
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      <image:title>Blog - No Set Agenda</image:title>
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      <image:title>Blog - No Set Agenda</image:title>
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      <image:title>Blog - No Set Agenda</image:title>
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      <image:title>Blog - No Set Agenda</image:title>
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      <image:title>Blog - No Set Agenda</image:title>
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      <image:title>Blog - No Set Agenda</image:title>
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  <url>
    <loc>https://www.lens57.com/blog/cascades-of-happiness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/c45b7cd0-dfa4-445d-a1fb-2d489b8bb6b1/Glen+Brittle-001.jpg</image:loc>
      <image:title>Blog - Cascades of Happiness - Beautiful! Starting at the top of the cascades. Leica Q3 1sec f/14 ISO 100</image:title>
      <image:caption>With a spare day all to myself I thought it was time to head over to Glen Brittle for a good look around. There are so many amazing spots in this area that I already know, but I wanted to explore a part of this massive valley that I hadn’t been to before. The huge Cuillin range dominates the southern side, and pine-covered gentler hills lie more quietly on the northern side. In the summer the glen is a madcap mix of chaos and overcrowding as tourists pour in to see the Fairy Pools. It’s much better in the winter when, aside from a few residents and farmers, it is largely deserted. I wanted a waterfall shot, with the snowcapped Cuillin in the background. Not the Fairy Pools, which I have spent a good amount of time studying. I wanted to be further down the glen. The Cuillin make such a great backdrop, and the key is to find a composition that has interesting foreground and mid-ground to provide drama and context.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/3d7fa939-fcd8-45ba-b9fd-6666353c250e/Glen+Brittle-002.jpg</image:loc>
      <image:title>Blog - Cascades of Happiness - A little further down, the waterfalls continue. Leica Q3 1 sec f/14 ISO 100</image:title>
      <image:caption>Parking up at a suitable spot, I thought a short walk up a side valley would get me what I wanted. Things are never that easy of course. The river has cut a deep chasm into the land, gouging out its course by exploiting fractures in the bedrock. The water is cold, and as clear as glass. Multi-coloured rounded pebbles cover the bottom as though someone has spilled all their marbles. Making a composition of the river and the mountains was proving impossible, so it was time to head upwards. The river decided to curve to the left as I walked up the decent, crunchy gravel path. This angle took away the mountain backdrop, so I kept walking. Gradually, the river turned back so I was looking up towards the Cuillin, but a large rise blocked a lot of the view of the mountains. I was starting to see how this day was going to go. I was going to end up doing a lot more walking than I had anticipated. Of course I hadn’t packed any food or drink as I had anticipated a 30 minute shoot, but the crystal clear water from the snowfield above was more than adequate for keeping me refreshed. Maybe there was a dead sheep further up in the channel, but I am still alive as I type this so I suspect not. It tasted beautiful. Cold, pure and rounded, almost like you could chew it.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/92792590-f92b-466b-8bb1-dad8e1b930cb/Glen+Brittle-003.jpg</image:loc>
      <image:title>Blog - Cascades of Happiness - Reversing my route further. Leica Q3 0.6 sec f/16</image:title>
      <image:caption>Upwards, with the river tantalisingly down to my left teasing gently. After much puffing and panting and false summits, I crested another rise, turned a corner, and I could see a series of waterfalls cascading down some rocky slabs. Beautiful. I decided to start at the top and work my way back down, so I climbed another 100 meters or so to find the most wonderful target-rich environment I could have wished for. I started to scope out compositions , picked my first at the bottom of a spreading series of falls, and got myself set up. Periodically, a ferociously cutting wind would funnel down the valley with great force. These katabatic winds are driven by cold air from the snow fields above sinking downhill and concentrating into valleys, much like the water does. They were sudden and powerful enough to blow me and my tripod over if I wasn’t paying attention to my foot positioning on the grippy, dry gabbro (I think). The wind was preventing me from flying my drone which would have allowed a bit more flexibility with a number of the compositions I wanted, where being 2 meters higher would have made all the difference. That will have to wait for another time.</image:caption>
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      <image:title>Blog - Cascades of Happiness - Continuing my exploration. Leica Q3 1 sec f/16 ISO 100</image:title>
      <image:caption>Continuing the exploration</image:caption>
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      <image:title>Blog - Cascades of Happiness - Triple happiness. Leica Q3 1/5th f/16 ISO 100</image:title>
      <image:caption>Test</image:caption>
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  <url>
    <loc>https://www.lens57.com/blog/and-the-results-are-in</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-14</lastmod>
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      <image:title>Blog - And the results are in… - Make it stand out</image:title>
      <image:caption>Glas Reader Quotes</image:caption>
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  <url>
    <loc>https://www.lens57.com/blog/flashback-shooting-helicopters</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/68e5efea-8aa3-4302-8b4a-089fc9110131/Rotormotion-005.jpg</image:loc>
      <image:title>Blog - Flashback: Shooting Helicopters - Make it stand out</image:title>
      <image:caption>Radio-triggered remote flash used to illuminate the cockpit of this Agusta AW109</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/a24c5b78-a537-4f3b-921c-4b5bf5c3f4e6/Rotormotion-002.jpg</image:loc>
      <image:title>Blog - Flashback: Shooting Helicopters - Gordon totally understood his assignment, here getting a lift-off shot for me.</image:title>
      <image:caption>I needed some more help as well, and my friend Gordon volunteered to assist. As well as technical help, it’s always good to have a friend on hand to help to bounce ideas and solve problems on location. A date was set, and furious planning followed. Gordon and I worked out that we ideally wanted a head-on shot with the helicopter looking as straight and level as possible. We also wanted to photograph at dusk, with some light in the sky but not so much that it would overwhelm the light from the flash inside the cockpit. Getting that light balance would prove to be one of the most tricky aspects of the shoot (aside from not dying). I listed all the gear I’d need. My Canon 1Dmk3 with a 70-200 f/2.8 lens was the weapon of choice. Accurate, fast and extremely capable, it was just what I needed. A couple of cheap Yongnuo flashes would provide the light. I already had Pocket Wizard Plus II wireless flash triggers. These are very simple items that just transmit a “flash now!” signal from the camera to the flash. One goes on the camera hotshoe, and the other is connected to the flash.</image:caption>
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      <image:title>Blog - Flashback: Shooting Helicopters - Make it stand out</image:title>
      <image:caption>Portraits done while we waited for dusk.</image:caption>
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      <image:title>Blog - Flashback: Shooting Helicopters - Make it stand out</image:title>
      <image:caption>Up close and personal. Gordon’s wide-angle shot of the takeoff.</image:caption>
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    <image:image>
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      <image:title>Blog - Flashback: Shooting Helicopters - Some serious flying was needed.</image:title>
      <image:caption>The sun set and light levels started to drop so we moved into action. Our earlier testing, with Gordon in the pilot’s seat, had confirmed roughly what flash power we would need. Because I couldn’t adjust the flashes remotely, I needed to get the power set prior to takeoff. With Philip now in position, I did some more flash power tests and settled on a setting that would work. Balancing the ambient light with the flash was most important. I wanted the aircraft and sky to be slightly underexposed so the lit cockpit showed up really well. Another key consideration was having some rotor blur while keeping the aircraft sharp and in focus. This would reinforce that the helicopter was flying, otherwise it might look too static and frozen. Earlier testing with randomly operating helicopters at the airfield gave me a shutter speed of 1/125th, so that was my main parameter. Aperture didn’t really matter too much other than to keep the shutter speed at 1/125th and I started at f/8. I kept ISO as low as possible at 100.</image:caption>
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      <image:title>Blog - Flashback: Shooting Helicopters - Make it stand out</image:title>
      <image:caption>Much epic.</image:caption>
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  <url>
    <loc>https://www.lens57.com/blog/more-impressions-of-london</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/bffd325b-c0d9-49ad-bcad-73f0624d5812/Andrew+Tobin+Ricoh+GRiii+X+HDF-008.jpg</image:loc>
      <image:title>Blog - More Impressions of London - Make it stand out</image:title>
      <image:caption>The walkway to the DLR station in Canary Wharf</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/d32721e5-f890-4785-9bc1-5715c5ad3a56/Andrew+Tobin+Ricoh+GRiii+X+HDF-001.jpg</image:loc>
      <image:title>Blog - More Impressions of London - The main exit of Canary Wharf tube station</image:title>
      <image:caption>By moving the camera between frames, either by adjusting my own position step by step, or by slightly moving the camera, a surreal and impressionistic image takes form on the back of the camera. Amazingly, the little Ricoh can create a RAW file of the final composite, as well as a JPG. This seems unique and is a very welcome feature, and it allows a lot of editing flexibility as is the way with RAW files. I am not 100% sure how the camera does this, as a RAW file contains the exact readout of the sensor, but I guess the camera software must apply the composite processing to the RAW file that is shot as well as to the JPG when running its “average”, “additive” or “bright” algorithm. This would account for why it takes four to five seconds of processing per frame. As I have become more experienced with this technique, I have learned a bit more about what works and what doesn’t. Some scenes look like they could be amazing, but the resulting composite just looks rubbish (technical term). I have found that, just like in “normal” photography, a good composition is essential. But with composites like this, things are a bit different. A bold and distinctive shape is required to provide a key to the shot. A delicate composition with a lot of detail tends not to work, as that detail gets lost during the overlaying process.</image:caption>
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      <image:title>Blog - More Impressions of London - Make it stand out</image:title>
      <image:caption>Hordes of visitors enjoy the stalls and lights at Borough Market in this shot reminiscent of my over-tourism series from Florence</image:caption>
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      <image:title>Blog - More Impressions of London - Tube station exit, Canary Wharf</image:title>
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      <image:title>Blog - More Impressions of London - Walkway, Canary Wharf</image:title>
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      <image:title>Blog - More Impressions of London - Escalators, Canary Wharf</image:title>
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      <image:title>Blog - More Impressions of London - Footbridge, Canary Wharf</image:title>
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      <image:title>Blog - More Impressions of London - Crowds, Borough Market</image:title>
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      <image:title>Blog - More Impressions of London - Tube station exit, Canary Wharf</image:title>
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      <image:title>Blog - More Impressions of London - Escalator, Canary Wharf</image:title>
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      <image:title>Blog - More Impressions of London - Reflective signage, Canary Wharf</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1764843601334-L3Z1TTI846NISO9NRT1M/Andrew+Tobin+Ricoh+GRiii+X+HDF-007.jpg</image:loc>
      <image:title>Blog - More Impressions of London - Reflective signage, Canary Wharf</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1764843598973-APNXVI61IPO71H3WUHFN/Andrew+Tobin+Ricoh+GRiii+X+HDF-005.jpg</image:loc>
      <image:title>Blog - More Impressions of London - Commuters and buildings, Canary Wharf</image:title>
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      <image:title>Blog - More Impressions of London - DLR station roof, Canary Wharf</image:title>
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    </image:image>
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  <url>
    <loc>https://www.lens57.com/blog/first-glas-deliveries-packaging-and-more</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/38f5b79d-52d5-4cf8-aff5-ec47ef521a40/20251114_160943_Original.jpeg</image:loc>
      <image:title>Blog - First Glas Deliveries, Packaging And More</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/32b03260-94e4-4951-9a4d-5ea715d2d08b/IMG_3578.jpeg</image:loc>
      <image:title>Blog - First Glas Deliveries, Packaging And More</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/b0242c27-0638-4ba3-bcd1-f4cbb213a0b2/20251113_161153_Original.jpeg</image:loc>
      <image:title>Blog - First Glas Deliveries, Packaging And More</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/cb075479-0ae9-4627-967c-18e2cbd3737a/20251114_125536_Original.jpeg</image:loc>
      <image:title>Blog - First Glas Deliveries, Packaging And More</image:title>
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  </url>
  <url>
    <loc>https://www.lens57.com/blog/glas-is-here</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-06</lastmod>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/over-tourism-in-florence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/19f2387a-bab5-457c-a662-93eb84cb98f9/Impressions+of+Florence-014.jpg</image:loc>
      <image:title>Blog - Photographing Over-Tourism In Florence - Make it stand out</image:title>
      <image:caption>Crowds gaze at the Ponte Vecchio in Florence</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1257bb30-c2e8-41b9-8244-a33ef25f4368/Impressions+of+Florence-010.jpg</image:loc>
      <image:title>Blog - Photographing Over-Tourism In Florence - Make it stand out</image:title>
      <image:caption>The Duomo (Cattedrale di Santa Maria del Fiore) appears to spew out humanity onto the pavement</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/5c555ed8-3678-4c19-a82c-35d8fd2357e4/Impressions+of+Florence-011.jpg</image:loc>
      <image:title>Blog - Photographing Over-Tourism In Florence - Make it stand out</image:title>
      <image:caption>Crowds blocking the street outside the Galleria dell’Accademia di Firenze, home to Michaelangelo’s statue of David.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/be77fe41-5836-4e8b-baf6-f0c4585e69e3/Impressions+of+Florence-009.jpg</image:loc>
      <image:title>Blog - Photographing Over-Tourism In Florence - Make it stand out</image:title>
      <image:caption>Crowds gather around the golden doors of the Battistero di San Giovanni</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/f0712413-55c4-4278-97a7-df28b95f3a03/Impressions+of+Florence-015.jpg</image:loc>
      <image:title>Blog - Photographing Over-Tourism In Florence - Make it stand out</image:title>
      <image:caption>From the south side of the Ponte Vecchio looking north.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/a-trip-to-torrin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/36a91101-afd3-42ef-a75d-3405e19ed572/20251022-L1031619.jpg</image:loc>
      <image:title>Blog - A Trip To Torrin - Make it stand out</image:title>
      <image:caption>300 seconds of the Sound of Sleat on the way to Torrin. Leica Q3 300 sec f/14 ISO 100 ND 1000 + ND8</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/589a93d3-cc0d-4774-aeb6-43f4712a2606/20251022-L1031629.jpg</image:loc>
      <image:title>Blog - A Trip To Torrin - Shores of Loch Slapin. Leica Q3 200 sec f/16 ISO 100 ND1000+ND8</image:title>
      <image:caption>Once I was satisfied with my efforts I headed over to the Torrin area. A week earlier I had a client with me on one of my 1-1 workshops and I found this composition for him. I never take my own pictures when out with a client, so I promised myself I’d come back to this spot to make my own image. This area is very hard to photograph. On arrival it seems epic, with an amazing mountain backdrop, a lovely loch, and a load of fractured rocks for a foreground. But when you actually try to create a simple composition that is simple and makes sense, things become a lot more difficult. It is just very messy. A “traditional” landscape shot of a distinctive foreground leading to an interesting middle-distance, with a good horizon interest and characterful sky was my target. But while all the rocks looked good initially, trying to find a setup that works was very difficult. After some snooping around while my client was getting set up, I found this line of pebbles through a cleft in the dark rocks. “This is it!” I thought. No that I was feeling any pressure of providing my client with a stunning image of course. Anyhow, fast forward a week and I was back there myself with my Leica Q3 in hand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/5903ba11-a89c-4892-9360-9b9ac2c7cb03/20251022-L1031633.jpg</image:loc>
      <image:title>Blog - A Trip To Torrin - Salt Marsh. Leica Q3 300sec f/16 ISO 100 ND1000</image:title>
      <image:caption>Onwards then, towards the head of Loch Slapin and one of the most frustrating and rewarding of subjects, a salt marsh. Frustrating because it is so tremendously hard to find a spot that is just right to make a good composition. So rewarding because, when you find that spot the resulting image can be fantastic. Torrin’s salt marsh is no exception. I spent a couple of hours nosing around what is quite a large area trying to find some photogenic shapes. The clearly defined edges of the grassy bits can work very well if they are nicely oriented and there’s no messy seaweed or crab shells littered around them. I have been here many times before, but I always seem to end up in different spots. Probably not a bad thing as I don’t want to just photograph the same spot every time. This time I found a rather nice tributary trickling nicely towards the sea. The curved foreground bank holds the bottom of the image together. I deliberately didn’t use a polariser as I wanted the sky’s reflection to brighten the surface of the water, enhancing its shape and the way it points towards the mountains in the distance. A bit of soft skimming light brought out the texture of the grassy mounds cut through with more water channels, and highlighted the distant ridge line. Obviously this is another long exposure. I was well into my groove by this point. The sky was just working really well for long exposures, with clouds and blue sky creating very nice streaked textures. I really like this shot. It has mood, drama, and a good element of simplicity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/dfa52530-6848-40c2-9b9f-c0273fce2ca0/processed_24169.jpg</image:loc>
      <image:title>Blog - A Trip To Torrin</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/last-of-skyes-autumn-colour</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/14e8584a-7c96-46f7-a64e-610810737813/Mill+Bridge-003.jpg</image:loc>
      <image:title>Blog - Last Of Skye’s Autumn Colour - Make it stand out</image:title>
      <image:caption>A low-angle tripod-in-the-middle-of-the-river shot from the Leica Q3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/854ab02c-34f1-418f-b1c0-f99ca31b2330/Mill+Bridge-001.jpg</image:loc>
      <image:title>Blog - Last Of Skye’s Autumn Colour - Make it stand out</image:title>
      <image:caption>Floating leaves at f/0.95 with Sony A7III and Mitakon 50mm f/0.95</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/47c20de1-5958-4db5-be29-6775f32975e0/Mill+Bridge-004.jpg</image:loc>
      <image:title>Blog - Last Of Skye’s Autumn Colour - Make it stand out</image:title>
      <image:caption>I really like the contrast of the golden leaves on the black rock. The leaves are like little bright coins. Leica Q3, polariser.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/63122a33-b7ae-450b-9048-9e81f70c9ef0/Mill+Bridge-002.jpg</image:loc>
      <image:title>Blog - Last Of Skye’s Autumn Colour - Make it stand out</image:title>
      <image:caption>Another Sony + 50mm f/0.95 shot. I’m in two minds on this one.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/glas-printing-in-progress</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1760348927272-SP8RHJ7FEAL04ENMCE0C/20250909_103831.jpg</image:loc>
      <image:title>Blog - Glas Printing In Progress</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1760348929205-V5XOQXR4QIJ4QERVU6K2/20250925_185412.jpg</image:loc>
      <image:title>Blog - Glas Printing In Progress</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1760348931464-98RI079LJJS5Y5VARS61/20250909_103721.jpg</image:loc>
      <image:title>Blog - Glas Printing In Progress</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1760348932998-R5HJVA4M47340KXXE674/20250925_185256.jpg</image:loc>
      <image:title>Blog - Glas Printing In Progress</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/glas-backstory-part-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/d68523bd-96c0-44f2-9ea3-b3410c2f5b10/Glas+P2+001.png</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - Make it stand out</image:title>
      <image:caption>The prototype copy of Glas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/f7ffc38d-73d0-4f37-ba22-218afa7d713b/Glas+P2+002.png</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - Make it stand out</image:title>
      <image:caption>A fraction of the 70,000 photographs to pick from for Glas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/38965296-d835-4eb6-ba1b-85c93dee510d/Glas+P2+003.png</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - Me shooting the trophy lift at the 2014 World Cup in Brazil</image:title>
      <image:caption>Me shooting the trophy lift at the 2014 World Cup in Brazil</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/3b414a30-15f8-4f63-ac9b-622428ffc25e/Glas+P2+004.png</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - A photograph from my Whitmoor Common project. Sony A7R + Canon FD 85mm f/1.2</image:title>
      <image:caption>Near my house at the time was a piece of heathland - sort of grassy scrub with some heather and random trees - which was very unattractive from a traditional photography perspective. Called Whitmoor Common, it is flat, featureless and quite dull. It presented a challenge. But it was nearby so I could get there in five minutes.  I started visiting on a regular basis. To make matters even less conventional, I decided to use one camera and one lens, my Sony A7R and a manual focus Canon FD 85mm f/1.2. Definitely not a traditional landscape lens. Over time, with this strange equipment and featureless terrain, I had the most enjoyment with my camera I could recollect.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/e21cf7fa-c0ec-4816-94ee-9adfdfcc789a/Glas+P2+005.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - Make it stand out</image:title>
      <image:caption>Castle Moil, Skye in 2008 for the “Weather” chapter in Glas. Canon 1DmkIII 24-105 lens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/6e0ca810-0993-4c5d-9381-f497e8c885e9/Glas+P2+006.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - Make it stand out</image:title>
      <image:caption>A nicely decorated bus shelter from the Signs chapter. Leica Q3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/3cdde956-4748-490d-b91f-d082a500765d/Glas+P2+007.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - Make it stand out</image:title>
      <image:caption>From the “Roads” chapter, beautiful curves through a dark landscape. DJI Mini 4 Pro.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/8192977a-ed87-4f85-94bf-246822ede670/Glas+P2+008.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - Make it stand out</image:title>
      <image:caption>Cormorants gather for a gossip. From the Trees and Beasties chapter. Ricoh GRIIIx HDF.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/b6d4ba95-0292-4120-be1e-a866812c8a0b/Glas+P2+009.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - The reflection of a lone tree in a puddle.</image:title>
      <image:caption>A lone tree, reflected in a short-lived puddle covering grass. Leica Q3.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/de4d3c14-914a-4476-80aa-49767b4c6bfe/Glas+P2+010.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - Make it stand out</image:title>
      <image:caption>Allt Dearg Cottage, finally right at the tenth attempt. Leica Q3.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/6f3367d1-0a2a-435b-83a3-1ad68561c4fb/Glas+P2a-011.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - Great rock formation on the shore of Loch Slapin</image:title>
      <image:caption>Great rock formation on the shore of Loch Slapin. Leica Q3.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/7e30fc81-4815-41c2-bc7d-60d5298f9491/Glas+P2a-012.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - Make it stand out</image:title>
      <image:caption>From the Small Houses chapter, a tiny house at the end of a sunbeam. Sony A7III 100-400 + 1.4x extender.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/6d69617a-4123-4234-99eb-e2410425b5af/Glas+P2a-013.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - Make it stand out</image:title>
      <image:caption>Crazy weather. This shot is from the “Poles” chapter. Sony A7III 100-400.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/6e7b8152-3120-4ed4-9d70-a796d46d88c1/Glas+P2a-014.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - Make it stand out</image:title>
      <image:caption>Lone tree, a blend of two images. One short exposure for the sun star, the other a long exposure for everything else. Leica Q3.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/0aef22d8-a6d3-4aad-b1b9-1398b94fa1f8/Glas+P2+015.png</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - Make it stand out</image:title>
      <image:caption>Laying out Glas in Adobe InDesign</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/016180de-3a0c-4624-a4ef-da6a4740db53/Glas+P2+016.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 2 - Make it stand out</image:title>
      <image:caption>Usual gear. 1 Leica Q3. 2 Flash in mini octabox. 3 Sony A7III with 16-35 2.8. 4 Sony 100-400. 5 Dji Mini 4 Pro. 6 GoPro Hero11. 7 Garmin 66i with Inreach</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/urban-photographer-of-the-year-2007</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/83c0cc6d-36b3-4bca-8e8c-37d7d72adab3/Car+park+ironing.jpg</image:loc>
      <image:title>Blog - Urban Photographer Of The Year (2007!) - Make it stand out</image:title>
      <image:caption>Follow the arrows! A compositional triumph.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/glas-backstory-part-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/fb4957a9-6807-44fb-8a66-125e1652a421/Glas+P1+001.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 1 - Make it stand out</image:title>
      <image:caption>Glas. Large, heavy, luxurious, calm, gentle, amusing, deep</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/8ea9858f-a9d6-4934-83e5-8cd655230b40/Glas+P1+002.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 1 - Make it stand out</image:title>
      <image:caption>The first photograph in the Sea Views chapter of Ramasaig Bay in Skye.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/79bed15d-2187-45bb-b7ce-79577fddb4a6/Glas+P1+003.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 1 - Make it stand out</image:title>
      <image:caption>Power poles silhouetted in front of an epic storm, from the “Poles” chapter in Glas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/27a1376d-2205-41d8-8020-ee796af989c7/Glas+P1+004.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 1 - Make it stand out</image:title>
      <image:caption>Just a road in a beautiful landscape. With a sun beam reflecting off its wet surface. With a small house. And two vehicles kicking up spray. In front of snow capped mountains. With a great sky. Less is more, and more is more.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/78ae123a-8452-4f8b-b6b5-b19bd902a49b/Glas+P1+005.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 1 - Make it stand out</image:title>
      <image:caption>Ornsay Lighthouse from the “Weather” chapter in Glas</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/d646ddcb-8d07-4d3c-bd2c-b7df1730393e/Glas+P1+006.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 1 - Make it stand out</image:title>
      <image:caption>The Gaelic and English poetry in the Weather chapter of Glas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/7effc76c-92af-4bce-9816-388014f5acd0/Glas+P1+007.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 1 - Make it stand out</image:title>
      <image:caption>Two images from the “Water Features” chapter. There is a lot of water on Skye!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/144ba724-70b9-4bc1-b4a7-59fe2fd102c7/Glas+P1+008.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 1 - Make it stand out</image:title>
      <image:caption>From the Small Houses chapter, the old bothy at Camasunary Bay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/b8fecf26-63ac-4a71-8077-8d35cb66862f/Glas+P1+009.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 1 - Make it stand out</image:title>
      <image:caption>An elusive and gorgeous otter on the kelp at Ord, from the Trees and Beasties chapter. Thanks to Skye High Wildlife for getting me on location.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/daa88385-bbad-4c20-b7d4-5caa72b2e1f6/Glas+P1+010.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 1 - Make it stand out</image:title>
      <image:caption>The accompanying Photography Index book contains technical details of each image in the main Glas book, as well as stories and anecdotes of the image-making process across seventeen years of photography.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/631c894e-f46b-4d41-8c3f-e49b27f486bc/Glas+P1+011.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 1 - Make it stand out</image:title>
      <image:caption>An abandoned chapel high on a hillside overlooked by majestic mountains from the Decay chapter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/474f47b9-54f3-43bd-b7ae-92e452cfca70/Glas+P1+012.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 1 - Make it stand out</image:title>
      <image:caption>The Fairy Pools, but photographed from “the wrong side” from the Water Features chapter</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/b9bf8987-762f-4598-8a7f-839cb9baf97f/Glas+P1+013.jpg</image:loc>
      <image:title>Blog - Glas - Backstory Part 1 - Make it stand out</image:title>
      <image:caption>The life cycle of the Passing Place sign.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/glas-launching-on-kickstarter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/bd768cba-1a58-4cce-91f4-168d95d62141/Glas+Kickstarter+Screenshot.png</image:loc>
      <image:title>Blog - Glas - Launching on Kickstarter - Make it stand out</image:title>
      <image:caption>The Kickstarter project page for Glas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/now-for-something-completely-different</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/b87e452f-9c86-4711-915f-8a88a628ad1d/RI001315.JPG</image:loc>
      <image:title>Blog - Now For Something Completely Different - Make it stand out</image:title>
      <image:caption>Soho Square Gardens, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/828e6633-04da-45ad-a153-3d0008a1d7cc/Urban-002.jpg</image:loc>
      <image:title>Blog - Now For Something Completely Different</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/7f2fd366-89a8-4aa1-a7f5-bf9d5c20a76b/Urban-001.jpg</image:loc>
      <image:title>Blog - Now For Something Completely Different</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/36a78019-d0de-4a01-b37a-754d2ff17ad0/Urban-004.jpg</image:loc>
      <image:title>Blog - Now For Something Completely Different</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1c6f755b-a53c-4612-abef-f8378f79eee7/Urban-005.jpg</image:loc>
      <image:title>Blog - Now For Something Completely Different</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/701353cc-045f-42a8-a395-ee75d3ea5377/RI001302.JPG</image:loc>
      <image:title>Blog - Now For Something Completely Different - Make it stand out</image:title>
      <image:caption>Phone Box, Shepherd Market, Mayfair.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/cf68c9de-b281-4ca7-bed2-5afa707f0094/RI001304.JPG</image:loc>
      <image:title>Blog - Now For Something Completely Different - Make it stand out</image:title>
      <image:caption>A lovely flower-lined back street, Mayfair.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/2c4505ae-0259-453e-bb19-527045ed252f/RI001310.JPG</image:loc>
      <image:title>Blog - Now For Something Completely Different - Make it stand out</image:title>
      <image:caption>Mount Street Gardens, Mayfair.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/ce7a5bbb-bb01-47a8-bdcc-17450ab0e999/RI001313.JPG</image:loc>
      <image:title>Blog - Now For Something Completely Different - Make it stand out</image:title>
      <image:caption>This one doesn’t work. A pedestrian crossing at Marylebone High Street.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/b759b67a-8c0e-479f-9afc-6573a8e92f2f/RI001315.JPG</image:loc>
      <image:title>Blog - Now For Something Completely Different - Make it stand out</image:title>
      <image:caption>Soho Square Gardens</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/7e65b75f-29f9-4a61-bc89-2c1010b99bd2/RI001316.JPG</image:loc>
      <image:title>Blog - Now For Something Completely Different - Underground Sign, Tottenham Court Road</image:title>
      <image:caption>Onwards to Tottenham Court Road. This much-redeveloped area now has a massive tube station entrance, and is a lot less tatty than it used to be. Some of these tall signs point the way to the Underground. The design is iconic, so had to be part of this little project. I decided to use the same walking-around-in-an-arc approach that I used in Soho Gardens. It was a bit tricker though due to the road, fast moving illegal electric bicycles and buses thundering past. I just took my time and gradually worked my way around in a 45-degree arc, keeping the focus point on the red circle of the sign. The background works nicely here. It is the Centre Point office block, now converted into flats I believe. The strong lines and light blue colour from the reflected sky work rather nicely. There is just enough of the sign to be legible, and plenty of ghostly images of people so get across the feeling for how busy the place (and London itself) is. One problem I did have was that if the camera turns itself off to save power (I have a 3-minute power-off set), your beautifully constructed composite is lost forever. You have to select “Complete” to finalise the image, and if the camera turns itself off it just forgets all about it and you have to start again.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/c054fa0d-4c59-47d6-8073-17448b26328a/RI001321.JPG</image:loc>
      <image:title>Blog - Now For Something Completely Different - Make it stand out</image:title>
      <image:caption>A renaissance painting? Or just Covent Garden?</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/567c83e2-6179-4c66-b366-8cbfcab1fb4b/RI001322.JPG</image:loc>
      <image:title>Blog - Now For Something Completely Different - Make it stand out</image:title>
      <image:caption>Pub time!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/heat-haze-problems</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/f9efa39d-b4ff-4a1b-8ca5-bf73f3a3cda9/20250702-A7300010.jpg</image:loc>
      <image:title>Blog - Heat Haze Problems - Make it stand out</image:title>
      <image:caption>The new version. Reshooting a “Small Houses” image for Glas. Sony A7III 100-400 lens at 337mm and f/10.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/f674e9fc-4d75-42f9-a51a-56eb5f6cb22f/Glas-001.jpg</image:loc>
      <image:title>Blog - Heat Haze Problems - Make it stand out</image:title>
      <image:caption>The old version of this scene that is a bit too tight for the fold when spread across two pages in Glas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/94be121e-24cc-4d5d-a124-16d53ea8de74/Heat+Haze+Closeup.png</image:loc>
      <image:title>Blog - Heat Haze Problems - Make it stand out</image:title>
      <image:caption>A zoomed-in look at the final file, and the effects on sharpness of the house caused by the heat haze.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/return-to-torrin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/60ea7fae-0861-49cd-b899-6ec7f5518999/20241126-L1020181.jpg</image:loc>
      <image:title>Blog - Return to Torrin - Make it stand out</image:title>
      <image:caption>The original shot that appears in my new book, Glas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/a3943f1d-8e78-4566-bf0f-0aff625b3059/Torrin-005.jpg</image:loc>
      <image:title>Blog - Return to Torrin - Time-lapse set up with my GoPro</image:title>
      <image:caption>Time-lapse setup using my GoPro</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/f3e324f4-b47d-4da5-b280-1e02bbdf94a0/Torrin-001.jpg</image:loc>
      <image:title>Blog - Return to Torrin - Make it stand out</image:title>
      <image:caption>“Sea Pinks” or “Thrift” overlooking Loch Slapin. Leica Q3 1/4000th f/1.7 ISO 100</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/4072001d-5bcd-4528-aae0-c160e258b264/Torrin-002.jpg</image:loc>
      <image:title>Blog - Return to Torrin - Make it stand out</image:title>
      <image:caption>Fracture detail. Leica Q3 1/50th f/13 ISO 320</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/8f41906f-2ea1-4ecb-b1e9-7a7c7a343818/Torrin-003.jpg</image:loc>
      <image:title>Blog - Return to Torrin - Clinging on. Leica Q3 1/2000th f/1.7 ISO 100</image:title>
      <image:caption>Moving around is a bit tricky as there are holes and sharp edges everywhere. Care has to be taken but the rewards are worth it. There are intriguing shapes, nooks and crannies everywhere. The difficult bit is trying to make sense of it in a two-dimensional photograph. The Sea Pinks image works nicely with a shallow depth of field from the wide aperture setting. You get a feeling for the coastal environment without the background interfering. The star-shaped fracture shot is an example of finding some sort of order in the chaos. With cracked rock everywhere, trying to make sense of it involves trying to find some recognisable shape to focus on. And the shot on the left shows some ferns growing in a tiny gap in the dolomite. You can see how sharp and serrated the edges are. How anything survives in such a hostile environment is a mystery. Anyhow, onto the time-lapse which is below. This was shot at 1-second intervals on the GoPro in “Linear” lens mode. I’d prefer more dramatic clouds so I may just have to go back again. What a hardship.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/skye-photography-retreat-partnership-with-kinloch-lodge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/cdb0ecb8-257c-46a7-97a5-55238494ad77/Kinloch-001.jpg</image:loc>
      <image:title>Blog - Isle of Skye Photography Retreat Partnership with Kinloch Lodge - Make it stand out</image:title>
      <image:caption>Kinloch Lodge is steeped in history, and nestles on the shores of Loch na Dal in the quiet, beautiful south of Skye.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/9accc9b6-d2dc-4178-b544-a83a157cd52c/Dunscaith.jpg</image:loc>
      <image:title>Blog - Isle of Skye Photography Retreat Partnership with Kinloch Lodge - Dunscaith Castle just after sunset under a vibrant aurora</image:title>
      <image:caption>Bookable directly with Kinloch Lodge, the Photography Retreat includes everything I offer in my bespoke guided photography experience, plus accommodation in one of the Lodge’s lovely rooms, evening editing sessions in the hotel bar, a delicious dinner each evening of your stay, a hearty breakfast each morning, and a packed lunch to keep you going during the day. Before you arrive, I will schedule a video call with you to understand where you are on your photography journey and what you want to get out of your trip to Skye. I will use this information to plan a bespoke itinerary for you. Each day we go out, I will pick you up from the Lodge in my Land Rover Defender and drop you back once we are done. From the Lodge, we will visit an array of locations that offer a variety of compositional challenges, subjects, and an opportunity to try out many different photographic techniques. I will tailor the sessions to your experience, fitness level and adventurous spirit. If you are staying for multiple days, we will most likely cover south Skye to begin with, and take the opportunity to travel north later in your stay, if you would like to do so. Typically, I avoid the “trophy spots” which tend to be teeming with photographers. However, if you would like that sunrise picture at the Old Man of Storr, I will get you there in good time.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1245eeb1-e6f6-463e-b634-8dbb9c6645a4/Weather-009.jpg</image:loc>
      <image:title>Blog - Isle of Skye Photography Retreat Partnership with Kinloch Lodge - Some of the best photography happens in dramatic weather</image:title>
      <image:caption>Skye’s weather is a force to be reckoned with; in my opinion it is one of the biggest photographic draws of Skye. Changeable at any given moment, a scene can be dramatically transformed in minutes. While this poses ample chances for a variety of shots even in a single location, you should prepare and pack accordingly. I will send you a packing list before your trip that covers the essentials; good walking boots, and waterproof trousers and jacket are a must. I will always take the weather, tides, winds and sunrise and sunset timings into account when I plan your experience. I will be able to adjust that plan in real time as the weather unfolds, as it rarely follows the forecast.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/urban-experimentation-with-a-ricoh-gr3x-hdf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/828e6633-04da-45ad-a153-3d0008a1d7cc/Urban-002.jpg</image:loc>
      <image:title>Blog - Urban Experimentation with a Ricoh GR3X HDF - Make it stand out</image:title>
      <image:caption>Image 1: Madness and chaos on Leake Street. Ricoh GR3x HDF multi-exposure mode and HDF on.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1c6f755b-a53c-4612-abef-f8378f79eee7/Urban-005.jpg</image:loc>
      <image:title>Blog - Urban Experimentation with a Ricoh GR3X HDF - Make it stand out</image:title>
      <image:caption>Image 2: South Bank tourists. Ricoh GR3x HDF multi-exposure mode.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/36a78019-d0de-4a01-b37a-754d2ff17ad0/Urban-004.jpg</image:loc>
      <image:title>Blog - Urban Experimentation with a Ricoh GR3X HDF - Make it stand out</image:title>
      <image:caption>Image 3: The second hand book stalls under Waterloo Bridge. Ricoh GR3x HDF multi-exposure mode.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/a4559152-f57b-4279-a267-584e016011f6/Urban-007.jpg</image:loc>
      <image:title>Blog - Urban Experimentation with a Ricoh GR3X HDF - Make it stand out</image:title>
      <image:caption>Image 4: Leake Street again, topsy-turvy this time. Ricoh GR3x HDF multi-exposure mode.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/7dc9023c-ac55-4725-9645-99337ad38676/Urban-006.jpg</image:loc>
      <image:title>Blog - Urban Experimentation with a Ricoh GR3X HDF - Image 5. Just one frame, no composites.</image:title>
      <image:caption>I did take some “normal” photographs as well, with just a single frame and no compositing. The bright sunshine and deep shadows were stars of the show once again. Back at the Thames at the National Theatre, I took advantage of some more raised walkways and looked for people walking along a particular shadow line. With the orientation of the sun, a person walking just inside the shadow would be lit against the shaded pavement, with their shadow emerging into the sunlit side. The GR3 is an excellent camera for this sort of thing. I didn’t really miss a viewfinder at all especially as I was using the high contrast black and white mode. This makes it easy to see bold shapes in the compostion really easily. The rear screen is plenty bright enough in direct sunlight to enable me to position elements in the frame even when holding the camera out over a parapet like in this shot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/harris-revisted</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/76c34671-a778-46c6-837c-8ad98fa834d4/20250421-L1031146.jpg</image:loc>
      <image:title>Blog - Harris Revisited - Make it stand out</image:title>
      <image:caption>Image #1: Two hundred seconds of heaven. Taransay from Scarista Beach on day one, Leica Q3, 200 sec, f/6.3, ISO 100, Urth ND1000 filter.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/57bbc130-ffd8-4bb4-862b-6ffdf414353d/20250424_204517.jpg</image:loc>
      <image:title>Blog - Harris Revisited - Image 2: Scarista House. Three rooms in the main building and four more suites behind.</image:title>
      <image:caption>Our base (Mrs T and I) was Scarista House. If Harris was a dart board, the Scarista area is the photographic bullseye. Situated a short walk from Scarista beach, and as full of character as the island itself, it is the epitome of the term “boutique hotel”. Add in the superb set-menu food and really personal service, it is worth the money and the bits of peeling wallpaper or slightly dated bathroom fittings just add to the coziness.</image:caption>
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      <image:title>Blog - Harris Revisited - Make it stand out</image:title>
      <image:caption>Image #3. Ceapabhal on day one, shrouded in cloud, looms black above Scarista beach. Leica Q3 30 sec f/9 ISO 100.</image:caption>
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      <image:title>Blog - Harris Revisited</image:title>
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      <image:title>Blog - Harris Revisited</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1745780123476-PBKR2YKF57DPC0AR1RZG/Harris-011.jpg</image:loc>
      <image:title>Blog - Harris Revisited</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1745780127391-PCI4409YMRP50YGRHQC4/Harris-010.jpg</image:loc>
      <image:title>Blog - Harris Revisited</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1745780126661-PTNMFQDR1O20ZAII3002/Harris-009.jpg</image:loc>
      <image:title>Blog - Harris Revisited</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1745780130495-P200CQG7U84LD3L6HL09/Harris-013.jpg</image:loc>
      <image:title>Blog - Harris Revisited</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/c3b6aad7-8719-4324-ace1-e22d6f40bca7/Northton+Comparison.png</image:loc>
      <image:title>Blog - Harris Revisited - Make it stand out</image:title>
      <image:caption>Image #4: Left is the most recent, Leica Q3, 60 sec f/16 ISO 100. Right from 2013, Sony RX1 ,1/160th f/11 ISO 250.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1f523f3e-c7de-4585-a49a-81b9121cafcc/Harris-006.jpg</image:loc>
      <image:title>Blog - Harris Revisited - Make it stand out</image:title>
      <image:caption>Image #5: Northton lagoon. DJI Mini 4 Pro, 1/1600th, f/1.7, ISO 100</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/b7a88899-9620-4432-801e-1f5d2131d283/Harris-017.jpg</image:loc>
      <image:title>Blog - Harris Revisited - Make it stand out</image:title>
      <image:caption>Image #6: Tràigh Mheilein deserted except for Mrs T and myself. Leica Q3 10 sec f/13 ISO 100, Urth ND8 + Polariser</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1745590036035-XEP7DFN4OS6WOKBEE9ZO/20250423-L1031213.jpg</image:loc>
      <image:title>Blog - Harris Revisited - Make it stand out</image:title>
      <image:caption>Image 7: Wowza. A falling tide at Scarista Beach on day 2. Leica Q3, 10 seconds, f/5, ISO 100.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1745922850583-7YG4QJ4CWI77GTPZ3UKE/20250421_153217.jpg</image:loc>
      <image:title>Blog - Harris Revisited - Ferry coming into Tarbert</image:title>
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      <image:title>Blog - Harris Revisited - A typical Harris road.</image:title>
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      <image:title>Blog - Harris Revisited - Photographing Scarista beach.</image:title>
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      <image:title>Blog - Harris Revisited - Interior of Eilean Glas Lighthouse, Scalpay</image:title>
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      <image:title>Blog - Harris Revisited - Eilean Glas Lighthouse, Scalpay.</image:title>
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      <image:title>Blog - Harris Revisited - Me at Luskentyre, taken with the drone.</image:title>
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      <image:title>Blog - Harris Revisited - View from Scarista House.</image:title>
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      <image:title>Blog - Harris Revisited - "Heilan Coo"</image:title>
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      <image:title>Blog - Harris Revisited - Scarista Beach.</image:title>
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      <image:title>Blog - Harris Revisited - Three billion year old rocks, shot in 2013.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1745922865621-763EOVWQ4O87YEJZ4TT1/Harris-008.jpg</image:loc>
      <image:title>Blog - Harris Revisited - Northton Salt Flats.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1745922972555-HGMW1AETTRV6N7THZ71T/Harris-021.jpg</image:loc>
      <image:title>Blog - Harris Revisited - Luskentyre Beach shot in 2013.</image:title>
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      <image:title>Blog - Harris Revisited - Hùisinis</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1745922974896-F9XZSUU0CHNJ6KY3Q3Y7/Harris-022.jpg</image:loc>
      <image:title>Blog - Harris Revisited - A sheep and a boat. Shot in 2013.</image:title>
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      <image:title>Blog - Harris Revisited - Tràigh Mheilein.</image:title>
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      <image:title>Blog - Harris Revisited - An old van. Shot in 2013.</image:title>
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      <image:title>Blog - Harris Revisited - Wool on a fence. Shot in 2013.</image:title>
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  </url>
  <url>
    <loc>https://www.lens57.com/blog/review-urth-magnetic-filters</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/76c34671-a778-46c6-837c-8ad98fa834d4/20250421-L1031146.jpg</image:loc>
      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Scarista Beach, Isle of Harris. 200 second exposure time.</image:title>
      <image:caption>For those unfamiliar with lens filters, I use “neutral density” (ND) filters to reduce the amount of light entering the lens, thus slowing the camera’s shutter speed to create very long exposures (say two minutes) to show cloud movement and make rough water still. ND filters are uncoloured (hence “neutral”) and should not introduce any colour cast onto your images. For waterfalls, I’ll use them to show some water movement and flow with a shutter speed of half a second. A polarising filter will reduce reflections and glare, seeing through the water surface, or making foliage colours richer.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/5588306f-a320-41ca-9f69-30cfbfa58bdd/20250407_092827.jpg</image:loc>
      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Make it stand out</image:title>
      <image:caption>The 49mm Urth Magnetic Essentials Plus kit is the six circular ones at the top, the Lee Seven5 Deluxe kit below.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/0c5b6c1b-31a3-42bd-a12a-5ca3302de465/20250407_093927.jpg</image:loc>
      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Make it stand out</image:title>
      <image:caption>Lee setup on the left with polariser and ND1000. Urth on the right with polariser, ND8, ND1000 and with front and read end caps fitted.</image:caption>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Lee 49mm adapter ring installed</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Lee polariser and ND1000 fitted</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Top view of Lee filters</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Urth magnetic filter holder fitted</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Urth polariser and ND1000 fitted</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Urth filters with lens cap fitted</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Top view of Urth filters</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Leica lens hood over Urth mag ring</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Make it stand out</image:title>
      <image:caption>Maximum tripod flexibility in a nice gorge. Leica Q3 on duty for filter tests.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/7214e58c-8d3c-4875-bb3d-bb280e13398a/Urth+Lee+gorge+ND1000+polariser.png</image:loc>
      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Make it stand out</image:title>
      <image:caption>Polariser + ND1000. Left is Urth, right is Lee.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/60f1d1c6-b99b-4edb-8a07-9eb84cd0f1c6/Urth+Lee+coast+polariser.png</image:loc>
      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Make it stand out</image:title>
      <image:caption>Polariser only. Urth on the left, Lee on the right.</image:caption>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5 - Make it stand out</image:title>
      <image:caption>Polariser + ND1000. Urth on the left, Lee on the right.</image:caption>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1745590017923-6SY0BUN9NLNK7ON3X7QC/20250422-L1031173.jpg</image:loc>
      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5</image:title>
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      <image:title>Blog - Review: Urth Magnetic Filters versus Lee Seven5</image:title>
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  </url>
  <url>
    <loc>https://www.lens57.com/blog/seeking-lone-trees</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1743282305610-ET5A1TIJL9B64WX1DGQN/Lone+Tree-002.jpg</image:loc>
      <image:title>Blog - Seeking Lone Trees - Make it stand out</image:title>
      <image:caption>Image 1: A multiple exposure shot of this dead rowan in a graveyard</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/7cda24d5-b728-4d32-8073-084a06dc3db7/2+trees.jpg</image:loc>
      <image:title>Blog - Seeking Lone Trees - Image 2: Reflected glory</image:title>
      <image:caption>Images 2 and 3. Same tree, different compositions.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1e211b0e-8ec6-4734-8555-6a2c3ae002db/Lone+Tree-004.jpg</image:loc>
      <image:title>Blog - Seeking Lone Trees - Image 4: Shattered limestone</image:title>
      <image:caption>Another massive puzzle was the tree in Image 4. This one was also positioned precariously on a steep rocky slope amongst the sharpest fractured limestone I’ve come across. Not only were the fissures leg-breaking should you drop into one at the wrong ankle, but the top edges of the rock fragments were serrated and sharp as knives. As a result it was quite a challenge just to move around, let alone figure out how to take a picture of the scene. In these situations, I usually find it easier just to leave the camera and tripod behind and walk around the location looking at it from as many different angles as possible. This helps to keep balance and avoid slicing one’s hands to ribbons. After several circumnavigations of this tree, I settled on the composition you see here. The foreground limestone can make for an incredibly confusing scene so I wanted to try and bring some order to it somehow. Having this almost contiguous fissure leading up to the tree was my answer. It gives the resulting image some structure and form. To keep a good amount of the image in focus, I used an aperture of f/9, with 1/250th ISO 100.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/805cb19f-60ba-46e5-b1e9-0bfbe0999d9b/Lone+Tree-003.jpg</image:loc>
      <image:title>Blog - Seeking Lone Trees - Make it stand out</image:title>
      <image:caption>Image 5: Old and new</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/beforeandafter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1742556585267-5X0HDNLUT0K6ZKTKJ949/20250319-A7300259-Enhanced-NR.jpg</image:loc>
      <image:title>Blog - Before And After - Make it stand out</image:title>
      <image:caption>Dunscaith Castle after processing. 15 sec f/2.8 ISO 2500.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1512c0a3-59b9-45fb-9c0a-95582a6d5e3c/Dunscaith-003.jpg</image:loc>
      <image:title>Blog - Before And After - How a drone can be used for foreground lighting</image:title>
      <image:caption>On the ideal starry-sky clear night with no moon, the foreground land/sea will be pitch black at a 15 second exposure. This can be fine if you are doing silhouettes. But in the case of this shot, the castle and arched entryway are key features of the scene. The contextual positioning is important as well which requires the sea to be in shot. To get some light onto the foreground, it is possible to use a torch. But I find that this looks very unnatural as it is usually the photographer shining the torch from the camera position, not somewhere any light would ever come from. Alternatively, I could take a separate shot at a really long exposure time, like 3-5 minutes, for the foreground and blend them afterwards in Photoshop, but that’s quite a hassle. Always better to do it in one shot if possible. So these days, I always pack my drone (DJI Mini 4 Pro) in my bag for my night photography sessions. I have found that the auxiliary (“landing”) light is superb for this. I have set up a rear button on the controller to turn the light on and off. It’s as simple as flying the drone up, positioning it usually to one side and not in view of the camera, and just letting it sit there hovering until I open the shutter. Then I’ll turn the drone light on for 5 seconds or so, and it’s done. You can see the effect on this shot. The shape of the shadows can be changed really easily by moving the drone around - it’s like your own personal sun in the sky that you can put anywhere you like!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/5a5a965b-5fea-4899-8c6c-ff3dc9297964/Dunscaith-010.jpg</image:loc>
      <image:title>Blog - Before And After - Make it stand out</image:title>
      <image:caption>The unedited version of image 1.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/d27985be-796f-46c5-8d5b-036d51adcf48/Screenshot+2025-03-21+at+12.05.56.png</image:loc>
      <image:title>Blog - Before And After - Make it stand out</image:title>
      <image:caption>Lightroom settings for the “Select Sky” mask</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/566d42fd-b220-4347-8127-2af3fb420fb4/Screenshot+2025-03-21+at+12.17.36.png</image:loc>
      <image:title>Blog - Before And After - Make it stand out</image:title>
      <image:caption>Before and After: Vertical format composition, with shooting star (yay). ISO up to 3200 for this shot.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/storm-shooting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1740406976198-Z2ZF1JSA5KZ21HBT0QQS/20250223-L1030558.jpg</image:loc>
      <image:title>Blog - Storm Shooting - Make it stand out</image:title>
      <image:caption>Ferocious winds blow the tops of huge waves on the Isle of Skye. Leica Q3 1/250th f/5 ISO 100</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/e69647e3-6eb4-4d5a-b2d1-b34d37d02bde/20250223-L1030395.jpg</image:loc>
      <image:title>Blog - Storm Shooting - Make it stand out</image:title>
      <image:caption>First stop just near Sconser to watch the loch getting blown into the air. Leica Q3 1/50th f/6.3 ISO 200</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/53e87edc-4c5e-48db-9816-7e01593adb88/20250223-L1030412.jpg</image:loc>
      <image:title>Blog - Storm Shooting - Make it stand out</image:title>
      <image:caption>The old bridge at Sligachan, with the river in full flood. An amazing sight. Leica Q3 1/8th f/5 ISO 100</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/86eb60bc-1540-4c3c-9fb1-8c13adf8c83c/20250223-L1030439.jpg</image:loc>
      <image:title>Blog - Storm Shooting - Make it stand out</image:title>
      <image:caption>A stunning road heading into the wilderness. Leica Q3 1/1600th f/5.6 ISO 100</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1740406976198-Z2ZF1JSA5KZ21HBT0QQS/20250223-L1030558.jpg</image:loc>
      <image:title>Blog - Storm Shooting - Make it stand out</image:title>
      <image:caption>Excellent ferocious seas. Leica Q3 1/250th f/5 ISO 100</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/ac9ecb4a-0a9e-42f6-94e3-3acb00cd4708/Ga%CC%81sadalur.jpg</image:loc>
      <image:title>Blog - Storm Shooting - Spot the difference! The huge cliffs and cascading waterfall at Gasadalur in the Faroe islands from my visit in 2012, before it got all trendy and full of Instagrammers. This shot entailed crouching on an extremely steep and uneven set of crumbling concrete steps with extreme exposure on the seaward side and a rusted-through iron railing no longer attached to anything on the landward side.</image:title>
      <image:caption>Gasadalur in the Faroe Islands, from my trip in 2012 (before it got all trendy). It’s another very windy place.</image:caption>
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      <image:title>Blog - Storm Shooting - Make it stand out</image:title>
      <image:caption>A longer exposure. Leica Q3 30 sec f/13 ISO 400</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/review-kingjoy-c86-tripod-and-leofoto-d40-pro-head</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/33adb874-e717-4aba-9e73-7478e0907266/20250202_155408.jpg</image:loc>
      <image:title>Blog - Review: Kingjoy C86 Tripod and Leofoto G4 Pro Head - Make it stand out</image:title>
      <image:caption>Tripod and head in action at Tarskavaig on the Isle of Skye</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/5558f581-8e53-4aa8-9cd5-6a2ff91b17e4/20250202_144555.jpg</image:loc>
      <image:title>Blog - Review: Kingjoy C86 Tripod and Leofoto G4 Pro Head - Detail of the leg attachments and levelling base mount. You pull down the central column and twist it to adjust the position of the base.</image:title>
      <image:caption>There are so many tripods out there these days that it’s really difficult to decide what to buy. This is especially the case if you are buying online. I always want to try before I buy when it comes to tripods, which can be tricky on the Isle of Skye. Conveniently, I was on a photography outing with my friend Paddy and noticed he had a rather nice tripod. It was by a make I’d never come across, “Kingjoy”. The quality looked top notch which made it even stranger that I hadn’t heard of the maker before. He said that well-known Skye photographer Marcus McAdam sold them through his Skye Photo Academy business, so it could be possible for me to see some of the range before handing over my hard-earned cash. After a few emails to Marcus, we arranged a dodgy-looking meeting in a supermarket carpark. Marcus had done a proper job and brought five different tripods for me to look at which was very good of him. The most important considerations for me were how tall the tripod would extend to the solidity when fully extended build quality and robustness as light as possible given the above requirements</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/c1edb26f-ff63-41ec-80b6-9ffa5bcffa59/20250202_152012.jpg</image:loc>
      <image:title>Blog - Review: Kingjoy C86 Tripod and Leofoto G4 Pro Head - Make it stand out</image:title>
      <image:caption>That’s nice and tall. I’m 6’2” or 188cm.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/01b0a8bb-c1f1-438f-95a9-c2601d881f79/20250202_144609.jpg</image:loc>
      <image:title>Blog - Review: Kingjoy C86 Tripod and Leofoto G4 Pro Head - Make it stand out</image:title>
      <image:caption>Levelling base detail</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/daa0701e-139f-42ba-91d9-da504c1f38bc/20250202_144943.jpg</image:loc>
      <image:title>Blog - Review: Kingjoy C86 Tripod and Leofoto G4 Pro Head - Make it stand out</image:title>
      <image:caption>The Leofoto G4 Pro Head in all its shiny glory. The triangular levers unlock and lock the gears for quick coarse adjustment, and the round knobs move the gears for very precise adjustment. The round know up top near the camera is the geared pan adjustment. The small lever near the base plate is the un-geared quick adjust pan release lock. Yes, the beach was amazing - see gallery lower down.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1043bd13-db19-43aa-95d3-5c22793fd120/20250202_145931.jpg</image:loc>
      <image:title>Blog - Review: Kingjoy C86 Tripod and Leofoto G4 Pro Head - The Leofoto G4 Pro in portrait orientation</image:title>
      <image:caption>Google did its Googly thing, and alongside the Arca Swiss D4 ads it served up something called the Leofoto G4 Pro. Initially I thought it was the same thing, as it looks so similar, even down to the D4/G4 name. But it turns out that it is a less-than-half-price almost identical copy from Chinese firm Leofoto. They are part of a much larger Guangdong Laitu Imaging Technology Co. and specialise in making tripods and heads that mimic those from Arca Swiss. I looked at the Leofoto G4 Pro in more detail. The excellent diagrams on their website show precision machined worm gears inside a solid-looking body. As with the Arca Swiss, it has quick-adjustment levers to unlock the horizontal/vertical gears to get the camera into a rough position with minimal hassle. It also has a geared pan adjuster in the top plate along with an un-geared pan adjustment where it mounts to the tripod base. So 3-axis geared adjustment plus an additional panorama adjuster. Mmmmm….nice. The images also confirmed that the head could be tilted ninety degrees to allow for shooting in portrait orientation without having to remove the camera from the plate and use an L-bracket. This is particularly important to me as I often do portrait- and landscape-orientation shots of the same subject so just flipping the head over is a simple and easy approach and avoids the expense of an L-bracket on the camera.</image:caption>
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      <image:title>Blog - Review: Kingjoy C86 Tripod and Leofoto G4 Pro Head - Make it stand out</image:title>
      <image:caption>Another angle (haha) of the head.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/6d377ff6-eef8-44c6-91b9-2cba09197df3/Chalk+Bag.png</image:loc>
      <image:title>Blog - Review: Kingjoy C86 Tripod and Leofoto G4 Pro Head - After my first few outings, I got worried about my lovely geared head getting bashed or covered in sand or sheep poo. Lying the tripod on the ground while picking up other things can have that effect. Also, the sand-covered large dog that jumped up all over me on the beach you see in the pictures above did a great job showering the head in wet sand. Some protection is required for when the tripod is not in use.</image:title>
      <image:caption>On previous photo workshops, I’ve seen people with posh tripods using little drawstring bags to protect their heads. Some searching on Amazon revealed a cheap and simple climber’s chalk bag, for £6.99. I chose an easy-to-see bright green version. It fits the head very nicely, has a drawstring to keep the bag on, and can be tethered onto the tripod to stop it blowing away or being left behind. Nice.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1738593724272-EOLWBW7AE6CQTDG5DBKH/Kingjoy+Pics-001.jpg</image:loc>
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      <image:title>Blog - Review: Kingjoy C86 Tripod and Leofoto G4 Pro Head</image:title>
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      <image:title>Blog - Review: Kingjoy C86 Tripod and Leofoto G4 Pro Head</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1738593727363-0HG8AQO0Q2KXRVGC8VJ1/Kingjoy+Pics-004.jpg</image:loc>
      <image:title>Blog - Review: Kingjoy C86 Tripod and Leofoto G4 Pro Head</image:title>
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      <image:title>Blog - Review: Kingjoy C86 Tripod and Leofoto G4 Pro Head</image:title>
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  </url>
  <url>
    <loc>https://www.lens57.com/blog/ricoh-gr3-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1738077349031-Z46PK0FGVBRXMTR1CNBZ/20241007-R0000657.jpg</image:loc>
      <image:title>Blog - Ricoh GR3X HDF - good enough? - Make it stand out</image:title>
      <image:caption>Inside a restored merchant’s house in Caceres, Spain. GR3X 1/40th f/2.8 ISO 800 HDF off</image:caption>
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      <image:title>Blog - Ricoh GR3X HDF - good enough? - Make it stand out</image:title>
      <image:caption>Size comparison: Leica Q3 28 on the left, Ricoh GR3X HDF on the right.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/13c6e4cd-e751-4d51-92f1-f0aeb7338e23/20241016-R0000955.jpg</image:loc>
      <image:title>Blog - Ricoh GR3X HDF - good enough? - Make it stand out</image:title>
      <image:caption>An extremely cute shop in Cuenca, Spain. GR3X 1/40th f/2.8 ISO 200 HDF on</image:caption>
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      <image:title>Blog - Ricoh GR3X HDF - good enough? - Make it stand out</image:title>
      <image:caption>Genuinely palm sized</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/8d8808c8-1d52-40ab-9a90-3d1500feef38/20240912-R0000373.jpg</image:loc>
      <image:title>Blog - Ricoh GR3X HDF - good enough? - Make it stand out</image:title>
      <image:caption>Barbican light. Ricoh GR3X 1/500th F/9 ISO 320 HDF off</image:caption>
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      <image:title>Blog - Ricoh GR3X HDF - good enough? - Make it stand out</image:title>
      <image:caption>Gritty Portsmouth. Ricoh GR3X 1/1000th F/5 ISO 200 HDF off</image:caption>
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      <image:title>Blog - Ricoh GR3X HDF - good enough? - The Bride. Ricoh GR3X 1/800th F/3.5 ISO 200 HDF on</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/d89242b5-ef8b-456c-9337-192fe08e6cf7/20240928-R0000420.jpg</image:loc>
      <image:title>Blog - Ricoh GR3X HDF - good enough? - Make it stand out</image:title>
      <image:caption>Little moments like these are so precious. Ricoh GR3X 1/250th F/2.8 ISO 200 HDF on</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/682becbe-2deb-4732-a155-0384bc4cde69/20241011-R0000821.jpg</image:loc>
      <image:title>Blog - Ricoh GR3X HDF - good enough? - Make it stand out</image:title>
      <image:caption>Granada, Spain. Ricoh GR3X 1/100th F/4 ISO 200 HDF on</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/783df0ce-a9b3-4377-95ea-005ca96029e3/20241011-R0000800.jpg</image:loc>
      <image:title>Blog - Ricoh GR3X HDF - good enough? - Make it stand out</image:title>
      <image:caption>Photographing the Al Hambra. Ricoh GR3X 1/800th f/3.5 ISO 200 HDF off</image:caption>
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      <image:title>Blog - Ricoh GR3X HDF - good enough? - Inside Cordoba’s amazing “mosquahedral”. Ricoh GR3X 1/40th F/2.8 ISO 640 HDF on</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/a8f5e67c-9d78-4609-b387-211c3f078e68/20241014-R0000892.jpg</image:loc>
      <image:title>Blog - Ricoh GR3X HDF - good enough? - A beautiful courtyard in Cordoba. Ricoh GR3X 1/30th F/6.3 ISO 200 HDF on</image:title>
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      <image:title>Blog - Ricoh GR3X HDF - good enough? - Make it stand out</image:title>
      <image:caption>Another wedding, Salamanca. 1/1000th F/4 ISO 200 HDF on.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/e24de158-c1cb-4384-a885-176ec0ea3fcd/20241015-R0000902.jpg</image:loc>
      <image:title>Blog - Ricoh GR3X HDF - good enough? - Make it stand out</image:title>
      <image:caption>Pigeons over Cuenca. GR3X 1/800th F/3.5 ISO 200 HDF on.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/11036bad-b559-47ca-a2c1-49260d84fcf7/20241015-R0000927.jpg</image:loc>
      <image:title>Blog - Ricoh GR3X HDF - good enough? - Make it stand out</image:title>
      <image:caption>Beautiful Cuenca at dusk. Ricoh GR3X 1/40th F/2.8 ISO 1000 HDF on.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/01a72489-5dff-4003-b894-8dffbbc4bcdd/20241018-R0001016.jpg</image:loc>
      <image:title>Blog - Ricoh GR3X HDF - good enough? - Make it stand out</image:title>
      <image:caption>Steps at San Sebastian. Ricoh GR3X 1/200th F/4 ISO 200 HDF on</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/how-i-shoot-group-portraits</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/88659a68-10ba-46ca-860a-a60022654b81/SMRT%2BBlog-007.jpg</image:loc>
      <image:title>Blog - How I shoot group portraits - Make it stand out</image:title>
      <image:caption>Members of the Skye Mountain Rescue Team photographed near Sligachan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/0c1d6ebf-e85d-4cfe-b382-d762717ed3d3/SMRT%2BBlog-001.jpg</image:loc>
      <image:title>Blog - How I shoot group portraits - Make it stand out</image:title>
      <image:caption>The “background” shot, with the focus, exposure and white balance set manually and locked.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/bfba5c51-fd3d-4e9b-8043-50011c6a3af4/SMRT%2BBlog-005.jpg</image:loc>
      <image:title>Blog - How I shoot group portraits - Make it stand out</image:title>
      <image:caption>Everyone in situ, ready to go. Dark and moody.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/34074c34-cd46-4d2d-9dd8-2c524bf6e86f/SMRT%2BBlog-002.jpg</image:loc>
      <image:title>Blog - How I shoot group portraits - Make it stand out</image:title>
      <image:caption>A volunteer walks the light down the line as I take 2-3 shots per person. Note this is a crop of the full-sized image to show more clearly what is happening.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/47655f4e-4151-46cd-beb9-520a785d8834/SMRT%2BBlog-003.jpg</image:loc>
      <image:title>Blog - How I shoot group portraits - Make it stand out</image:title>
      <image:caption>One after another, down the line, keeping the light the same distance from the subject.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/b3ad26cf-7b8b-4009-8cd2-380101284bd4/SMRT%2BBlog-004.jpg</image:loc>
      <image:title>Blog - How I shoot group portraits - Make it stand out</image:title>
      <image:caption>Hand-holding the light to shoot the subjects on the bridge.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/da4a35dd-d4f0-4833-b934-39bee7ddc2e4/SMRT%2BBlog-006.jpg</image:loc>
      <image:title>Blog - How I shoot group portraits - Make it stand out</image:title>
      <image:caption>This shot is done in one go using the flash off-camera on the right. Looks horrible by comparison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/88659a68-10ba-46ca-860a-a60022654b81/SMRT%2BBlog-007.jpg</image:loc>
      <image:title>Blog - How I shoot group portraits - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/leica-q3-one-year-review</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-05-07</lastmod>
    <image:image>
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      <image:title>Blog - Leica Q3 - one year review - Make it stand out</image:title>
      <image:caption>Happy first birthday. My well-used Leica Q3 is one year old.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/2cde057e-6a87-4df8-a8d8-1757597abf78/Street-001.jpg</image:loc>
      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/94f0011d-c70d-45c5-846a-39e6f65beca4/20250125-L1030232.jpg</image:loc>
      <image:title>Blog - Leica Q3 - one year review</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/d8a37be2-7442-4318-b551-e18b84459672/20250122-L1030101.jpg</image:loc>
      <image:title>Blog - Leica Q3 - one year review</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/tokavaig-and-dunscaith-castle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/91b44d61-9214-4204-ae06-6cf72cc76ce3/20230126-A7300026.jpg</image:loc>
      <image:title>Blog - Tokavaig and Dunscaith Castle - Make it stand out</image:title>
      <image:caption>Dunscaith Castle under the stars</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/882ab477-be5b-4d61-93a5-ef343ebdfc63/Tokavaig%2BCottages-001.jpg</image:loc>
      <image:title>Blog - Tokavaig and Dunscaith Castle - Make it stand out</image:title>
      <image:caption>Small cottages at Tokavaig</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1f873dd8-839a-4770-9ad8-7af9e1f7b644/Tokavaig%2BSaltmarsh-001.jpg</image:loc>
      <image:title>Blog - Tokavaig and Dunscaith Castle - Salt Marsh Reflection</image:title>
      <image:caption>And lastly, I’m a bit of a sucker for salt marshes. There’s something about the really clean delineation between the deep pools and the grassy land. I will often spend ages looking around them to find an oddly shaped pool that I can somehow construct into an attractively composed image. I spent about an hour wandering around this one which is just on the way to the cottages in the previous shot. I knew there was something worthwhile if only I could work out the puzzle of pools, inlets, hummocks and grasses. After lots of trial and error I found this pool, and worked out a composition that would capture the moon’s reflection (a bit like the lochan shot a couple of posts ago) to emphasise the shape of the pool, but not have the moon actually reflected in the water to avoid it blowing out the exposure. I ended up hiding the moon’d reflection in that sticky-out bit on the left of the pool. Same camera settings as the previous two images. If it works, don’t change it!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/2020/05/10/enjoying-leicas-q-p-and-cl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/1737985385651-TMIR4CU9PNY5MP95U0EH/20200505-20200505-L1010609.jpg</image:loc>
      <image:title>Blog - Enjoying Leica's Q-P and CL - Make it stand out</image:title>
      <image:caption>Moonrise Over Mallaig: Leica Q-P f/11 with filters, 20 sec exposure</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/fdd11f1e-f20c-4fe9-bd9e-7177e0a89b37/20220225-DSCF0836.jpg</image:loc>
      <image:title>Blog - Enjoying Leica's Q-P and CL - Make it stand out</image:title>
      <image:caption>Sea Daisies: Leica Q-P f/2.8, handheld</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/4db2337c-39c2-44de-81bd-ea11388624e1/20200425-L1010577-2.jpg</image:loc>
      <image:title>Blog - Enjoying Leica's Q-P and CL - Make it stand out</image:title>
      <image:caption>Me &amp; Mrs T. Leica Q-P f/1.7</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/e0278c6f-099a-4ff4-b131-90fa0e9efd02/20191119-C1010469-2.jpg</image:loc>
      <image:title>Blog - Enjoying Leica's Q-P and CL - Make it stand out</image:title>
      <image:caption>Gorgeous gorge. Leica CL with 55-135 at f/13ish</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/2020/04/27/seeking-shapes-and-shades-in-lockdown</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/c1f76542-d520-459e-b30d-e0379f23cd91/20200424-C1000233-2.jpg</image:loc>
      <image:title>Blog - Seeking Shapes And Shades In Lockdown - Make it stand out</image:title>
      <image:caption>Sunset warms the slopes of the Knoydart Peninsula, reflected in a tidal pool on Skye: Leica CL, 55-135 @ 135, 1/200th f/4.5, ISO100</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/923e0aa2-3340-48ab-8167-82d07d727312/20191231-C1010546-2.jpg</image:loc>
      <image:title>Blog - Seeking Shapes And Shades In Lockdown - Reflected sunset light in a salt marsh</image:title>
      <image:caption>Reflected sunset light in a salt marsh: Leica CL 18-56 @ 37mm, 0.4 sec at f/16, ISO 100</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/925a2915-bc2c-4ccc-901e-0299901ea660/20200109-C1010621-2.jpg</image:loc>
      <image:title>Blog - Seeking Shapes And Shades In Lockdown - Curved reeds on a loch surface with a snow-capped mountain behind.</image:title>
      <image:caption>Reeds curved over and a snowcapped mountain reflected in a still loch: Leica CL 55-135 @ 76mm, 1/5th f/14 ISO 100</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/2020/03/21/quiet-photography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/3722cc0b-b050-40e7-b6d6-6079efd5d2e6/20170306-L1000304-2.jpg</image:loc>
      <image:title>Blog - Quiet Photography - Make it stand out</image:title>
      <image:caption>Ardmair Bay north of Ullapool. Leica M10, 24mm Summilux-M 3 sec f/8 ISO 100</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/2019/04/17/urban-landscaping-with-a-leica-q-p</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/276829f0-c97b-4b36-98da-8381c3ad0ac1/Stratford+47.jpg</image:loc>
      <image:title>Blog - Urban landscaping with a Leica Q-P - Make it stand out</image:title>
      <image:caption>Warped realities in the Westfield Shopping Centre, Stratford</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/ad53dd5a-5bb8-474f-9e0d-b663cba4285f/Stratford+12.jpg</image:loc>
      <image:title>Blog - Urban landscaping with a Leica Q-P - The canal under a road bridge at Stratford</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/0e0371d9-6dad-43cb-8ced-4446a0a6776d/Stratford+06.jpg</image:loc>
      <image:title>Blog - Urban landscaping with a Leica Q-P - A nice shadowed vignette looking down from above</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/66ecc03a-243b-4e7e-a1ca-dde5a62e3513/Stratford+26.jpg</image:loc>
      <image:title>Blog - Urban landscaping with a Leica Q-P - Make it stand out</image:title>
      <image:caption>Rampant renewal in Stratford. The building on the left is not long for this world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/5f563d06-7ccb-4654-8f2a-a2e5660c3dc2/Stratford+28.jpg</image:loc>
      <image:title>Blog - Urban landscaping with a Leica Q-P - Make it stand out</image:title>
      <image:caption>Wateland housing a number of people in makeshift shacks overlooked by £million apartments.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/5de1adc5-6532-41bc-82dc-6bf2b1f2d4be/Stratford+52.jpg</image:loc>
      <image:title>Blog - Urban landscaping with a Leica Q-P - Make it stand out</image:title>
      <image:caption>Hannah O’Neill with here excellent zine titled “Sons of Delinquency”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/3a3e93e5-c867-4773-83c3-fef4fb9fb480/Stratford+09.jpg</image:loc>
      <image:title>Blog - Urban landscaping with a Leica Q-P - Make it stand out</image:title>
      <image:caption>The roof of the Olympic aquatic centre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/757c4c43-fa9c-4560-a7d2-b142df83f28e/Stratford+47.jpg</image:loc>
      <image:title>Blog - Urban landscaping with a Leica Q-P - Make it stand out</image:title>
      <image:caption>Warped reality inside the Westfield Shopping Centre</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.lens57.com/blog/2019/02/20/finding-photographs-in-assynt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/029d1803-1bbe-4df7-8d09-686a3e6386f0/20190113-C1000691.jpg</image:loc>
      <image:title>Blog - Finding photographs in Assynt - Make it stand out</image:title>
      <image:caption>Not the Harry Potter bridge</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/7fa68dbe-8d40-4178-acfe-f7df6cc504bb/20190119-C1000747-Pano.jpg</image:loc>
      <image:title>Blog - Finding photographs in Assynt - Make it stand out</image:title>
      <image:caption>Top of Bealach Na Ba</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/0e53715d-90dc-4c56-a06b-cd4526a04317/20190120-C1000844.jpg</image:loc>
      <image:title>Blog - Finding photographs in Assynt - Make it stand out</image:title>
      <image:caption>An alternative waterfall shot</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67968777ae895d233fefb18c/9b305676-9239-49d6-acff-2b0a795bddbf/20190120-C1000873.jpg</image:loc>
      <image:title>Blog - Finding photographs in Assynt - Make it stand out</image:title>
      <image:caption>Stoer Lighthouse</image:caption>
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    <image:image>
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      <image:caption>Open book with the word 'SIGNS' on the left page and two columns of text on the right, on a wooden surface. Three stones and a glass of water are above the book.</image:caption>
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      <image:caption>Open magazine displaying black and white landscape photograph of mountains and power lines on a wooden table. Surrounding the magazine are small stones and three glass cups.</image:caption>
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      <image:caption>An open photo book displaying black and white images of textured rock formations. On the wooden table above, there are four stones and a glass candle holder with a white candle inside.</image:caption>
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      <image:caption>Open magazine displaying a black-and-white photograph of ocean waves crashing on a rocky shoreline, placed on a wooden table with three stones and two glass tealight holders nearby.</image:caption>
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